PAM IBBOTSON - CV
Education
  • Sheffield Hallam University
    B.A. (Hons) Fine Art (First Class)
    Manchester Metropolitan University
    P.G.C.E.
  • 1987
  • 1993

Elected member Manchester Academy of Fine Art

  • 1988

Selected Exhibitions

  • Holme Castle Country Hotel (Solo)
  • Buxton Art Gallery
  • Quaker Gallery, London (Solo)
  • Quaker Gallery, London (Manchester Academy mixed show)
  • Manchester Academy of Fine Art. Annual Open Exhibition
  • Nottingham Castle Contemporary Art Auction
  • Saddleworth Museum and Art Gallery
  • Portico Gallery, Manchester
  • Whitechapel Open Studios
  • Royal Academy of Art. Summer Exhibition
  • Art Link Exhibition. Stockport Art Gallery
  • Prize Winning Artists, Tatton Park, Cheshire
  • Bonhams, London. Painting Today
  • Anna Mei Chadwick, London
  • Stockport Art Gallery (Solo)
  • Laing Collection Art Exhibition, Ginnel Gallery, Manchester
  • Royal Academy of Art. Summer Exhibition
  • Mappin Art Gallery, Sheffield
  • Ayling Porteous Gallery, Chester
  • Garrick Theatre, Stockport (Solo)
  • 2002
  • 2001
  • 1999
  • 1999
  • 1988-2001
  • 1998
  • 1998
  • 1997
  • 1997
  • 1996
  • 1994
  • 1992
  • 1991
  • 1990
  • 1989
  • 1989
  • 1988
  • 1987
  • 1987
  • 1987
  • 1993

Awards and Prizes

  • East Midlands Arts
    • Production and New Work Award
  • Manchester Academy of Fine Art
    • National Westminster Bank Award
    • Runner Up Award
    • Major Award
  • 1999
  •  
  • 1991
  • 1990
  • 1988

Artist's Statement

"My paintings gain their inspiration from the landscape of the Derbyshire Peak District. Although colours, textures and forms inherent in the landscape are an important factor, my work tends to be suggestive of natural form, rather than depictive. As such, it can be open to varying interpretation and so is, I feel, stimulating to the imagination. The landscape acts as a catalyst for the expression of what I have described as an 'inner painted world'."


Ibbotson's work has been described as displaying a 'highly skilled inventiveness' and the effect of it has been compared to 'Van Gogh's almost visionary sense of the underlying rhythms of nature .

Robert Clark.
The Guardian

Email: info@pamibbotson.co.uk website: http://www.pamibbotson.co.uk